Posts Tagged ‘Canon 7D’

Sy looking for meat

We were fairly busy the first weekend in April, having taken the challenge to complete a Sci-Fi film in just 48 hours. The basic rules were get a small team together, in our case 2 – Dave and me! Collect the elements for your film (a prop, a line of dialogue and a title) from the Apollo Cinema, Piccadilly and make a film. We had asked 3 wonderful actors to work with us James Alper, Liz Boag and Michael Quartey, and when we opened the title ‘All that Remains’ we knew we were going to make an end of the world story.

Lots of films are made about the world ending, but Dave and I are really interested in what would happen next, we have avidly watched series like Jericho, Survivors and a great doc. series called ‘Life after People’ (thanks History channel you are awesome!) and we have talked and talked about what would happen… and we reckon in the initial instance for any people left the world would be very quiet and very dangerous.. just think about all the things you don’t know and can’t do once the electricity has failed. Could you find clean water, warmth, would you fail to survive? In our film, the reason for the apocalypse is a virus spread by words/speech. Our survivors have survived because they have stopped talking after their daughter went missing. By mourning their missing child they severed links with society and sat in stony silence together and were spared by the virus. Our villain, Sy’s story is left to your imagination.

So, after the world ended what would remain? What are people like after the fall of civilisation? All that remains in our story is the chance to keep your humanity, watch it and let us know what you think?

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It has been our pleasure to watch, and film the creation of a new business on our high street. See the film here –

For those of you who don’t know Brentford – we are just up the river from Chiswick, and across the water from Kew Gardens. In the Heathrow flight path, we are blessed with two beautiful stately homes, Syon Park and Osterley House, we’re on the Thames and have the River Brent and the Grand Union Canal. A little run-down, loads of lovely pubs, struggling in the shadow of the M4 but full of unexpected charms – I’ll show you around if you are interested!
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In light of the recent events in Japan, this film seems more relevant than ever. The publicity over the potential fallout from the nuclear plants in Japan raises the question again as to whether or not people really do understand radiation and it’s potential effects on the human body.

We did a music video for Jurojin, and it will be broadcast on MTV and Kerrang – so look out for it! We are really pleased with how it came out, its great fun working with the band, they’re really talented and hopefully 2011 will be a big year for them! Shot on Canon 7D and 550D in a music studio in London Bridge. Get in touch if you are a band needing a vid and we’ll see if we can do you a deal!

This is where our DSLR journey began. Simples…. buy a stills camera that shoots HD video, take it to Kenya and shoot a film. What an opportunity, and how naive were we to even try it!

Please watch this film and if you like it then please donate here – http://www.justgiving.com/mombasachildren and let the charity know what you think of the film.

So we had a 7D, no rig, only a kit lens, and the charity said would you like to come out to Africa with us and make a film. We were like yes, and we even have a camera to shoot it on.. So a month before we went, we were like how do you actually shoot on a 7D, how do you do handheld work, how do you record sound, which lenses are right, and aaaaaaaaah why is everything so expensive. We started an extensive period of research on the web, which culminated with us making a mad dash to Simon Beer at Production Gear to buy the last redrock rig left in the UK. Sitting in their show room off the north circular, we had everything we needed in our hands – and were keeping our fingers crossed that Simon wouldn’t sell it to any other customers in the showroom.

So next stop Tottenham Court Road, and another £1000 or so later we had a Sigma 30mm lens and a Donke bag to put it all in.

After an overnight delay at Heathrow when our flight failed to leave, we were on the plane with our kit split between me, Dave and a very reliable (we hoped) 16 year old called Matt who was travelling as part of our group. Unwieldy, awkward and so valuable we and our kit arrived in Nairobi. Chris Azzaro, blagged the customs officials by being wonderfully boring about the educational nature of our trip, and we were again seeing our kit disappearing through an X-ray machine and hoping, hoping, hoping it would appear at the other end. We’d already managed to break the jack on our brand new and shiny Sennheiser headphones, and had to replace them with a very nasty consumer pair of Sonys (yeuck!).

Matt was still carrying our £1000 worth of redrock gear, and I was in two minds whether we should tell him how much it was worth, but we arrived in Mombasa with kit, ready to shoot and were met by a Matatu and the wonderful Joash Obento.

So the 7D overheats!

The 7D overheats the whole time, the slum we are in outside Mombasa is in excess of 40 degrees in the middle of the day, and the camera will run for about 8 minutes at a time. Then you have to take the compact flash card out of its slot and fan it, to the raucous hilarity of all the locals, who are already laughing a lot as you have been trying (mainly unsuccessfully) to shade the camera with a multicoloured umbrella we brought with us. We spend much of our time with the headteachers of the schools, and they are brilliant, we see everything in the slum, including an unscheduled trip into a pub, where I think I’m the only woman, who doesn’t work in the sex trade, who has ever entered! We soon exit. We film in the children’s one room homes, meet their mothers, witness the absence of fathers, meet a beautiful little cat and play a lot of football. Filming is slow going, with the camera stopping, but it means we are taken into a 7th day adventist church, and are serenaded by a stunning performance on a casio keyboard mainly performed through the pre-recorded settings. We can’t get any GVs, ever! As the whole neighbourhood comes running everytime we put the camera down but we are happy.

Each night, we get back to the villa the charity have booked and have to start backing up and syncing up our rushes on our trusty little macbook – takes about 2 hours a night, and then we eat, and then we sleep.

It was trial by fire for the little 7D, but save its overheating problem, which may well not have been any better on a larger camera, it worked a treat.

One of the strange little issues we had was that the Redrock gear didn’t work very well with our Manfrotto tripod. Very difficult to get it on and off, the head would get stuck everytime. To be honest this is still an issue we haven’t addressed!

Anyway enjoy the film, thanks for reading – Nell

Canon 7D, Sigma 30mm, Canon 18-135mm, Redrock Eyespy Deluxe

Back in August we were lucky enough to film with Andy Park, Mr Christmas, the man who celebrates Christmas everyday. I’d read about him years ago and wondered if he was still doing it. So I called him up and we arranged a visit!

Andy has celebrated Christmas for nearly 17 years now! This was filmed over one day and gives an insight into the life of one of Britain’s most famous eccentrics.

We decided to see Andy on Bank Holiday morning on our way back from filming with the churches down in Llanelli, and it was certainly a challenge given how exhausted we were. Still managed to find a blinding country pub the night before so we were well fed, which turned out to be a curse when we were tucking into our Christmas Dinner with Andy the following day!

It was the first time I’d really used the Redrock rig and 7D up close and personal and Andy’s house wasn’t huge and was baking (what with a giant turkey roasting in the kitchen). Overall I was pleased we managed to get some good shots, more importantly that it didn’t hold us up to much, and we were able to get a nice little story about it.

Having our own kit is perfect for this sort of shoot as we can just go and make it, we’ve since started developing a series about eccentricity and this was a great starting point.

We hope to get Mr Christmas into some festivals next year, albeit with a slightly shorter cut!

We shot this on our Canon 7D and 550D using the Sigma 30mm and Tokina 11-16. Hope you enjoy it!

We filmed with Wolves FC back in the summer to see how they used Ultrasound to treat knee and joint injuries with their first team players. As sport has become increasingly high-tech, scientific approaches to injury management have become more commonplace, we looked at the role of ultrasound in a Premier League club. Wolves FC has state of the art medical facilities. and had no serious injuries last year – so we were thinking they must be doing something right! We asked Steve Kemp, the head of medical services at Wolves to let us come and see how they used their Ultrasound machine to monitor players injuries and were delighted when he agreed!

The Sir Jack Hayward Training Ground feels like a school as you walk past the autograph hunters through to reception, but its a school where all the students are unbelievably healthy looking. We were met by Phil Hayward, the academy physio who showed us the Ultrasound machine in action on a young player who had come in with some pain in his knee. Using Ultrasound means you can see the joint in action, and see whether there are any muscle tears, or tendon issues. Football is a multi-million pound sport, and being able to spot and treat problems early can mean you can change a players training programme to stop the problem in its tracks.

Ultrasound is a simple idea, you send sound waves into a body and depending on what material the wave passes through the reflection comes back at a different speed – and can be drawn as a picture. It is one of many imaging systems that rely on physicists to make work. These films are to be shown to teenagers, and here we wanted to show the importance of physics to society. There are plenty of jobs for medical physicists, and even if you want to be a physiotherapist a good grounding in physics will stand you in good stead, as medicine becomes more high-tech.

Filmed with the physio department at Wolves FC, this film has animation created in-house explaining the complex physics behind ultrasound works.

Thanks to Steve and Phil for their time and enthusiasm for our project, and thank to Wolves FC for the additional footage of training sessions!

Shot on Canon 7D and Canon 550D with Sigma 30mm, Tokina 11-16mm lenses.

Produced for the Institute of Physics.

Filmed with AHMM in London.

This film explores how architects use physics to think about the thermal performance and efficiency of buildings.

Haydn and Louise show us the process of design from initial sketch through to complex 3D modelling and CAD to model making.

Working on the redesign of the University of Amsterdam is a massive undertaking and they talk about some of the thermal issues they’ve had to deal with along the way.

This film has animation created in-house explaining the physics of heat.

Filmed on Canon 7D & 550D with Sigma 30mm, Tokina 11-16mm, Canon 18-135mm.

Oxford, July, 2010.

We were really lucky to meet NaturalMotion the computer games designers responsible for the Euphoria engine that powers such games as GTA 4 and Red Dead Redemption as well as their first title BackBreaker. The Euphoria engine does not rely on canned animation techniques but is a series of rules that teaches the animation how to comply with the laws of physics. When you see it in action, which you will if you’ve played Red Dead Redemption, you’ll know this means that the gameplay feels real, the characters can surprise you and move like humans.

Matt, Chris and CEO Torsten Reil talk us through the importance of physics in creating realistic game worlds and enhancing the games playing experience. Torsten Reil started the company following some academic research into the bio-mechanically accurate modelling of animals. When we first approached Torsten to take part in this film, his motivation for saying yes was that he was fed up with young graduates applying to his company for jobs with the wrong qualifications. To work in the gaming world you need a degree in maths or physics.

Matt and Chris show us the power of their physics engine, and to prove how effective it is, they switch off some aspects of the physics world to see what its like if the gravity doesn’t work. We see first hand the hilarious results when you adjust the laws of physics.

This film has animation created in-house explaining the physics of forces and motion.

Filmed on Canon 7D & 550D with Sigma 30mm, Tokina 11-16mm, Canon 18-135mm.

Honolulu, Hawaii, June 2010.

We visited the IEEE Photovoltaic conference with Jess Adams a soon to be PhD from Imperial College London where she was giving the inaugural speech of the conference. Jess talks about the uses of Photovoltaics not only in the fight against climate change but also as a means of bringing energy to remote locations.

Picnic was in Hawaii for about 6 days! Jetlagged the whole time, it is an 18 hour flight from the UK, and a 10 hour time difference, which really messes your head up! We also had all our kit as hand luggage on the way there, which when our flight was delayed, and we were waiting to come through customs at LAX and the ground staff’s advice on how to catch our connecting flight was ‘run’, nearly saw us losing our lunch :) We were in Hawaii by invitation of the amazing Dr. Rob Walters, a physicist from the United States Naval Research Laboratories. He has been an informal mentor to Jess though her PhD and is an inspiring man – he was also chair of the IEEE conference in 2010. The conference brings together the top physicists to show the developments they have made this year in photovoltaics, and the sense of challenge and aspiration, and lets face it desire to save the planet was a joy to be involved with.

In this film, which is for teenagers considering whether they should take an Alevel in physics, we wanted to show the lifestyle of a physicist. One aspect of that life is international collaboration, and opportunities for travel. Jess has already travelled the world, and she is still completing her PhD. Hawaii is a dream destination for many, but Jess and her lab partners tickets were sponsored by travel grants from Imperial College. So, if you are a teenager, and kind of like physics, think about doing that Alevel – and you never know it might be you sitting on a beach in Hawaii in a few years time.

In the second half of the film we visited Imperial College, London where Jess showed us the machinery she works with and how she works on the next generation of solar cells. Jess is now writing up her PhD, and has given herself a deadline of early Feb! So good luck with that.

This film has animation created in-house explaining the physics of solar power.

We’d also like to thank Rahul, for making us welcome, and Alvin, for keeping us laughing, and sharing his photographs with us for the film – thanks boys!

Filmed in Hawaii and Imperial College London, using Canon 7D & 550D, Sigma 30mm, Tokina 11-16, Canon 18- 135mm.

Produced for the Institute of Physics.